An AET file serves as a reusable After Effects template, intended for repeated use so you open it, save a new project, and customize that copy, while the template stores the construction plan of the animation including comps, timelines, layers, keyframes, effects, expressions, camera/light settings, render configurations, and all the folder/interpretation organization that holds the project together.

An AET generally doesn’t embed media, instead storing references or paths to external audio, images, and video, which is why template sets are bundled as ZIPs with Footage/assets folders and why After Effects reports missing items if things were moved, and because AETs might rely on certain fonts or plugins, opening them elsewhere can trigger alerts until everything is installed, and since file extensions aren’t exclusive, checking “Opens with” or the file’s source location is the best way to confirm the program behind it and what extra files should accompany it.

If you have any questions concerning exactly where and how to use best AET file viewer, you can get in touch with us at our web-page. An AEP file is the standard save file for ongoing AE work, whereas an AET is a template designed for reuse, meaning you open an AEP to keep working on that same animation but open an AET to build a fresh project without modifying the master template.

That’s why AET templates are so common for ready-made motion graphics such as intros, lower-thirds, and slideshows: the creator treats the AET as the permanent master, and you open it only to Save As a new AEP before customizing elements like text, color, media, and logos, and while both formats store the same structures—compositions, layers, keyframes, effects, expressions, cameras/lights, and settings—and both typically link to external footage, the AET exists to preserve the original design whereas the AEP is your editable working file.

An AET file generally stores everything needed to preserve the structure and behavior of a motion-graphics setup but not the raw media itself, keeping all compositions with their resolution, frame rate, duration, nesting, plus the full timeline of layers—text, shapes, solids, adjustments, precomps, and footage placeholders—along with each layer’s properties like position, scale, rotation, opacity, masks, mattes, blending modes, and parenting, as well as animation data such as keyframes, easing, markers, and any expressions that automate motion.

It further stores all applied effects with their settings—ranging from color correction and blur to glows, distortions, and transitions—along with any 3D environment of cameras, lights, and 3D layer attributes, plus render controls and project organization like folders, label colors, and interpretation rules, but it generally doesn’t contain the actual footage, audio, fonts, or plugins, instead relying on paths that may trigger missing-asset or missing-plugin prompts when opened on a different computer.